It's not often a movie can make you leave the theater both completely drained emotionally, yet hopeful and inspired about the piece of art you just saw. Les Miserables is one of those movies.
An avid Les Mis fan for the past 8 years since I saw the revival on Broadway, I was eager to see the Tom Hooper's film and finally got around to it last night (after a delicious Red Lobster dinner). Going into the movie, I'd read some less than favorable reviews that had criticisms such as "the middle is drags" and "many of [Schonberg's] songs just seem to peter out." My parents had also said that Russel Crowe was poorly cast as Javert. So I was ready to be less than 100% impressed....At the End of the Day (pun intended), I was bowled over by the film and emotionally moved in a similar, if not more intense way than when I saw the stage version (2 times).
Are there things the movie could have done better? Sure. Are there moments where I wished I was watching Alfie Boe as Valjean instead of Jackman? Sure, but Jackman does an admirable job bearing the burden of the character--his opening soliloquy should win him an Oscar by itself...if it wasn't for that performance by Lewis in Lincoln.
One of the great things about the film version of Les Mis is the ability to use cinematography to make it such a sweeping epic. The film begins with a shot under the water and slowly pans up to above the water-line to a storm ravaged shipyard where Valjean is enslaved. From there forth, each time the time advances by a number of years (the film takes place in 3 main segments), Hooper decides to use a "pan-up" which is an awesome technique. He pans up as Valjean ends his soliloquy on the edge of a cliff. A pan up is used over top of a church after Javert's "Stars". And lastly, the camera pans up and over the monastery as Valjean dies. What this symbolizes is evident. Each pan up is part of Valjean's ascension to being a better man whether it be finding god, realizing love, or lastly, dying and ascending to heaven (the other side of the monastery) where the rest of the dead from the movie reside and they sing the closing number. As a side note, the faith based message of the film is spot on and there are subtle hints in the camera work throughout such as the pan-up (again) above Valjean as he finishes "Bring Him Home."
In addition to the phenomenal camera work just mentioned, the use of zoomed in shots on characters while they sing exceptionally emotional songs is a different and useful method. Fantine first gets this treatment and Hathaway soars...a lock for an Oscar. Somewhat overlooked is Eddie Redmayne's "Empty Chairs at Empty Tables." He plays a fantastic Marius and this song is the 2nd best performance in the film behind Hathaway.
Aside from the cinematography (and great use of lighting...which I won't go into for sake of length), the orchestration is exceptional. Having only seen this on Broadway with a relatively small pit orchestra, hearing Shonberg's score fully orchestrated and played by a full orchestra was a treat. While it stays true to the original, small tweaks here and there only add to the soundscape. "Stars", despite Crowe's performance, is a fresh take on the song while the arrangements of the opening 10 minutes of music are extraordinary.
I would be remiss if I didn't talk about Crowe's troubling performance as Javert. Was he terrible? No. But when you compare anyone to the original (Philip Quast), they have no chance. Thankfully Crowe is in tune but just doesn't have the right voice for the part. Javert should have a gravely, deep voice and Crowe just doesn't have the right timbre for it. On the flip side, his acting during "Stars" and his suicide is superb and you really feel the agony with which his character has to deal.
Lastly, Jackman, while not over-the-top impressive as Valjean is very good. I thought his rendition of Bring Him Home was pedestrian yet his soliloquy and "Who Am I?" superb. Another role that is not mentioned much is Eponine. Samantha Banks nails both On My Own and A Little Fall of Rain. The Thenardier's? Fantastic...perfect!
All-in-all, Les Mis gets a 9/10 from me and was close to a 10/10. I'm still confused with the casting of Crowe as Javert but he could have been much worse. The risk Hooper took with live singing and zoomed-in camera work could have completely backfired but instead really makes the movie feel real. I challenge viewers not to get emotional (or cry)...it's not easy as there are MANY opportunities to do so!
Les Miserables was epic...only made more epic by Colm Wilkinson playing the bishop (awesome symbolism).
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